Translate to Italian   Italian
Translate to Russian   Russian
Translate to Danish   Danish
Translate to Portugesse   Portugesse
Translate to Swedish   Swedish
Translate to Polish   Polish
Translate to Dutch   Dutch
Translate to Hungarian   Hungarian
Translate to Greek   Greek
creative sound products  /  creative worldwide support  /  creative commons  /  creative agency  /  creative media  /  creative design  /  creative future  /  creative zen  /  creative nails

Creative Masks



Mask



It is an object that is frequently worn over or in front of the face to hide the identity of a person and by its own features to establish another being. This essential characteristic of hiding and revealing personalities or moods is common to all masks. As cultural objects they have been used throughout the world in all periods since the Stone Age and have been as varied in appearance as in their use and symbolism.

General Characteristics

Masks have been designed in innumerable varieties, from the simplest of crude “false faces” held by a handle to complete head coverings with ingenious movable parts and hidden faces. Mask makers have shown great resourcefulness in selecting and combining available materials. Among the substances utilized are woods, metals, shells, fibers, ivory, clay, horn, stone, feathers, leather, furs, paper, cloth, and corn husks. Surface treatments have ranged from rugged simplicity to intricate carving and from polished woods and mosaics to gaudy adornments.

Masks generally are worn with a costume, often so complete that it entirely covers the body of the wearer. Fundamentally the costume completes the new identity represented by the mask, and usually tradition prescribes its appearance and construction to the same extent as the mask itself. Costumes, like the masks, are made of a great variety of materials, all of which have a symbolic connection with the mask's total imagery. Ideally the costume should be seen with the mask while the wearer is in action.





The morphological elements of the mask are with few exceptions derived from natural forms. Masks with human features are classified as anthropomorphic and those with animal characteristics as theriomorphic. In some instances, the mask form is a replication of natural features or closely follows the lineaments of reality, and in other instances it is an abstraction. Masks usually represent supernatural beings, ancestors, and fanciful or imagined figures and can also be portraits. The localization of a particular spirit in a specific mask must be considered a highly significant reason for its existence.

The change in identity of the wearer for that of the mask is vital, for if the spirit represented

Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11